摘要
格里高利圣咏一直是西方音乐的核心与重要资源,在其形成的悠久历史过程中,格里高利圣咏不仅为西方众多作曲家们提供了丰富的写作素材,同时也给他们带来无数创作灵感。本文试图通过分析格里高利圣咏的记谱、调式、旋律线条、终止式与结构形态等等,比较格里高利圣咏四方形记谱与现代五线谱记谱之间的利与弊,阐释圣咏谱面背后的神秘艺术思维,阐明其独特的音乐风格,为高等音乐院校研究西方音乐,提供重要的参考信息。
During its long history, Gregorian chant has been the major part and important sourses for the music materials and inspiration of the western composers. The author of this paper has analyzed the Gregorian chant＇s natation,modes, melodic lines, cadenses abd structres, including chant＇s unique musical style. Furthermore,a comparision between the chant＇s square notation and the modern five-line staff notation has been made, which provides us with very good information for the reserach on western music in hihger educational institutions.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2012年第2期56-67,83,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
