摘要
主持人语：在文明对话中,＂身体＂日益成为一个重要的焦点。事实上,在世界美学史中,身体都曾长期受到贬抑。进入20世纪以后,其命运似乎发生了根本性的转折。随着影像时代的到来,清晰可感的人类身体成了艺术、文学、美学理论的热门话题,有关身体的意象和话语迅速增殖。
In Chinese as well as Western history of aesthetics the body has long been treated as an object.However,this position entraps physical aesthetics in a logical dilemma: if the intellectual and the bodily are different categories of being,how can the intellectual master,reflect and inscribe the body and other categories of being that are essentially different from it? Aestheticians that posited the body as object never gave a satisfactory solution to this problem.But some aestheticians since the days of ancient Greece have broken new path,attempting to prove that intellectual activities are merely functions of the body.Although eclipsed by mainstream aesthetics,this idea began to assert enormous interpretive power at the onset of modernity and in the hands of Nietzsche and others came to develop into an entire aesthetic system which treats the physical as a subject of existential practice,thus returning the discipline to its provenance.This construction may plausibly anticipate the future development of aesthetics.
出处
《深圳大学学报（人文社会科学版）》
CSSCI
北大核心
2012年第2期5-12,共8页
Journal of Shenzhen University：Humanities & Social Sciences
