摘要
中国的山水画几乎无一例外都会表现出一种"远"在其中,或是景之远,或是思之远。"远"是值得探讨的问题。以郭熙《林泉高致》中提出的"三远"为例,结合"三远"带给人的视觉心理上的感受来阐释"远"与中国美学内涵的关联,以此为突破口来解释中国山水画之所以"远"的缘由所在。
Almost all Chinese landscape paintings have expressed a farness,of scenery,or of thought,which is worthy of studying.Based on Three Farness proposed by Guo Xi and combined the feelings in vision and psychology,this paper has interpreted the connections between Farness and Chinese aesthetic connotation as to find the reasons for Farness in Chinese landscape paintings.
出处
《郧阳师范高等专科学校学报》
2012年第2期23-31,共9页
Journal of Yunyang Teachers College
关键词
中国山水画
远
美学内涵
Chinese landscape painting
farness
aesthetic connotation
