摘要
康德美学作为其哲学体系的重要组成部分，其出发点是通过审美判断力在知性和理性之间架起一座桥梁，因此也使得康德美学具有了“桥梁”性质；这一点决定了康德美学的优长和不足以及他对美学的深刻洞察和育机。康德美学从正反两方面都为我们认识美学的性质、思维方式、作用和存在理由，为我们思考现代美学问题提供了深刻的启示。
Kant's aesthetics, as an important constifuent of his system of philosophy, starts from the purpose of seffing up a bridge between understanding and reason, via the ability of aesthefic judgemenfand therefore providse itself with the characteristic of being a' bridge'. This determines the merits and short-comings of his aesthetics, i. e. its thorough insight of as well as its blindness to aesthetics. Kant's aes-thetics provides us from both sides with the deeply enlightenment in recognizing the nature, the thinking mode, the function, the reason of existence of aesthetics, and helps us a lot in thinking about modern aes-thetics.
出处
《殷都学刊》
2000年第1期86-90,共5页
Yindu Journal
关键词
康德美学
审美判断力
审美活动
知性
实践理性
Kant's aesthetics
starting - point
bridge
the ability of aesthetic judgement
aesthetic activity
modem enlightenment
