摘要
中国现代文论的科际整合,经历了蜕变期、定格期和突破期等三个阶段。文艺学整合研究的本体论根据,在于文学现象始终具有整体关联性。这种整体定性不仅在不同时代的文论中得到了明确表述,而且可以通过不同形式的语义学理论得以诠解。文艺学科际整合作为一种现代性表征,其实质在于知识爆炸现象背后的知识爆聚。只有通过文艺学的整合研究,才有可能克服分科研究的碎片化症候。
The interdisciplinary of modern Chinese literature theories has experienced the stages of transformation, fixation, and breakthrough. The ontological foundation of the disciplinary of literature theories lies in the fact that the literature phenomena always have the nature of wholeness. Such wholeness not only has been expressed explicitly by literature theories of various times, but also can be interpreted by different forms of semantics. As a representation of modernity, the essence of the disciplinary of literature theories lies in the ＂implosion of knowledge＂ underneath the ＂explosion of knowledge＂. Only by the interdisciplinary of literature theories, can we avoid the symptoms of fragmentation in the study of disciplinary.
出处
《阴山学刊》
2012年第2期39-44,共6页
Yinshan Academic Journal
基金
辽宁大学211工程项目"中国历史转型期文学与文论"子项目"中国现代性:理论视域与文学书写"部分研究成果
关键词
文艺学
科际整合
本体论
现代性
Literature Theory
Interdisciplinary
Ontology
Modernity
