摘要
本文试图从社会发展、技术变革以及艺术理想的角度,通过对《北京杂种》、《巫山云雨》、《小武》、《安阳婴儿》和《牛皮》等具体作品的分析研究,探讨了中国当代独立电影在形式和风格上的独特之处及其重要的历史意义。作者指出,正是这些"独立电影",才从根本上为未来提供了一幅重返现在的地形图。
This paper tries to analyze some specific films such as Beijing Bastards, Rain and Clouds over Mt. Wushan, Xiao Wu, The Orphan of Anyang and Oxhide, etc. to explore the uniqueness of the Chinese contemporary independent film in form and style and its historical significance from the perspective of social development, tech- nology revolution and artistic ideal. The author points out that it is these ＂independent films＂ that offers a terrain map of the return to the present for the future fundamentally.
出处
《绵阳师范学院学报》
2012年第4期105-115,共11页
Journal of Mianyang Teachers＇ College
关键词
中国电影
独立电影
社会现实
形式与风格
Chinese film
independent film
social reality： form and st＇vie
