摘要
咏雪诗是中国古代诗歌史上充满活力与创造力的领域之一。欧阳修创"禁体",苏轼作"尖叉韵"雪诗,后人争相效仿,甚至有人将"禁体"扩大到词、赋、曲等文体创作之中,成为一种独特的文学文化现象。将吴应箕的禁体与尖叉韵雪诗置于禁体与尖叉韵雪诗发展史中来考察其继承与发展是很有意义的。特别是从学界不太关注的视角与不太注意的材料来研究禁体雪诗,有利于拓深禁体诗的研究。
Snow poetry is one of the fields filled with vitality and creation in ancient Chinese poetical history.Ouyang Xiu created ＂Jin Style＂ and Su Shi produced snow poetry of ＂Jianchayun Style＂,which were followed by later generations and even extended to the creation of Ci poetry,poetic essay and Qu,and became a unique cultural phenomena.Wu Yingji＇s ＂Jin Style＂ and snow poetry of ＂Jianchayun Style＂ plays a significant role in the history of inheritance and development of ＂Jin Style＂ and snow poetry of ＂Jianchayun Style＂.Especially the study of snow poetry of Jianchayun Style from the perspective and materials ignored will helps deepen the research of the poetry of Jin Style.
出处
《池州学院学报》
2012年第2期85-89,共5页
Journal of Chizhou University
基金
安徽省教育厅人文社会科学重点研究项目(SK2012A083)
池州学院皖南诗学研究中心项目(XKY201202)
关键词
吴应箕
禁体
尖叉韵
雪
文化蕴涵
Wu Yingji
Jin Style
Jianchayun Style
Snow
Cultural Implication
