摘要
建国前后,丁玲从她在陕北后期业已定型的政治化创作思维出发,在《欧行散记》中对"一边倒"政治路线作出了图解。这种具有先验色彩的"一边倒"政治倾向,泯灭了她作为创作主体对生活的独到发现;政治上的"一边倒"又催生了她文化上的"一边倒"——弃置了自主审视的理性,表现出了"唯苏联是从"的神化文化观念。
After 1949, started from her politicized thinking of creation which has been finalized in her lat- er Northern Shaanxi time, Ding Lin gives an illustration of the ＂one - sided＂ political line in her Essays on the Trip to Europe. This kind of priori ＂one - sided＂ political tendency has diminished her original discovery as a creative subject, And the political ＂one - sidedness＂ has also caused her cultural ＂one - sidedness＂, i. e. , abandoning her own autonomous rational perspective and demonstrating her mythical cultural idea of ＂obey only to Soviet Union＂.
出处
《南京师范大学文学院学报》
CSSCI
2012年第2期100-105,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2009年度江苏省社会科学项目"两种文学传统与丁玲文学道路研究"(编号:09ZWB004)
2010年度教育部人文社会科学研究规划基金项目"‘两种文学传统’视野下的丁玲文学道路研究"(编号:10YJA751058)
2010年度江苏省高校哲学社会科学项目:"丁玲传论"(编号:2010SJI750011)
关键词
丁玲《欧行散记》“一边倒”
Ding Lin
Essays on the Trip to Europe
one -sidedness
