摘要
宋代许多专著都记载了关于歌唱的一些方法,这些传统的声乐理论都针对声乐演唱中最普遍性的字声关系提出了自己的独到见解。文章结合姜白石歌曲的演唱诠释了宋代的主要唱论术语及宋代声乐理论中解决字声关系的润腔技巧。认为在演唱中要正确地处理字声关系,要求歌者在演唱时必须做到将字与气都融化在声腔之中,即使转腔换字也流畅自如。这种完美的要求是对现今民族声乐中"字正腔圆"这一说法的更生动、更系统的概括。
Many treatises on singing in Song Dynasty recorded singing method and displayed unique perspectives on relationship between pronunciation and voeality. Based on singing of Jiang Baishi＇ s songs, the article interprets the main terms and skills of tune decoration which deals with the relationship between pronunciation and vocality in singing theories of Song Dynasty. The article suggests that the relationship should be appropriately dealt with and that singers are expected to integrate pronunciation and breath into the tune. Such perfect requirement is a more systematic and vivid summarization of the principle of ＂clear articulation and mellow vocality＂ in national vocal music today.
出处
《星海音乐学院学报》
CSSCI
2012年第2期55-60,共6页
Journal of Xinghai Conservatory of Music
关键词
宋代唱论
润腔
歌诀
声中无字
字中有声
折
掣
拽
singing theory of Song Dynasty
tune decoration
formulas put into verse
sheng-zhong-wu-zi
zi-zhong-you-sheng
zhe
che
zhuai
