摘要
宋元时期科举文批评中经常出现"格"这一术语,南宋科举文批评中作为术语的"格",主要是从文章的方式、方法上进行论述的;元代科举文批评中所使用的"格",更多的则是从文学风格入手,文章学的意义更为突出。元代文学风气影响对"格"内涵的稳定,起着非常明显的作用,为中国古代文学批评理论范畴的发展起到了推动作用,最终在明清时期形成了稳定的文学批评范畴——格调。
As a term, ＂格 （ge）＂ often appears in imperial examination essay criticism in the Song and Yuan dynasties. This term in the imperial examination essay criticism in the South Song Dynasty is mainly discussed from the pattern and method of an essay. In the Yuan Dynasty, it is discussed more often from literary style. The literary atmosphere in the Yuan Dynasty play an important role in defining the intension of ＂格 （ge）＂ The definition of intension of ＂格 （ge）＂ advances the development of literary criticism of ancient Chinese literature, by which the stable category of ＂style＂ is formed in the Ming and Qing dynasties.
出处
《辽东学院学报（社会科学版）》
2012年第4期91-94,共4页
Journal of Liaodong University：Social Science Edition
基金
辽宁省教育厅人文社会科学一般项目(2009A803)
关键词
宋元
科举文
文学批评
格
Song and Yuan dynasties
imperial examination essay
literary criticism
格 （ge）
