摘要
黄公望作为文人画发展主线的枢纽人物,这种态势是晚明董其昌为确立其"南北宗论"学说和"文人之画"的需要而形成的。《富春山居图》有诗般的境界与神韵,以隐逸为主题。
Huang Gongwang was a pivotal figure of the development of scholars＇ paintings. This posture was formed in the light of requirements of the Southern and Northern Schools of Painting and Scholars＇ Paintings that Dong Qichang established in late Qing Dynasty. Dwelling in the Fuchun Mountains has a poetic realm and verve, regarding seclusion as a theme.
出处
《常熟理工学院学报》
2012年第5期104-109,共6页
Journal of Changshu Institute of Technology
关键词
黄公望
《富春山居图》
意境
隐逸
Huang Gongwang
Dwelling in the Fuchun Mountains
artistic conception
seclusion
