摘要
对活跃在中国画坛的油画家进行的写意油画创作与研究状况进行了跟踪研究,从"写"和"意"两方面结合目前油画家的创作与实践,分析了中国写意油画的独特审美内涵,揭示了中国写意油画强调意境的主观构建和极富想象力的艺术特质,并提出中国油画家在系统学习和研究西方油画技法的同时,把传统中国画的审美意趣、表现技法引入自身的油画创作,可以创作出有中国特色的写意油画。
Under the current context of integrating Chinese and western cultures, the writer a follow-up study has been carried out for the condition of composition and research of oil painting by active mists in the oil painting world. The paper analyzes the special aesthetic connotation of Chinese Impressionistic Oil Paintings from combining ＂writing＂ and ＂idea＂ and composition and practice of oil painting artists, reveals the focus of building subjectively artistic mood and characteristic of extremely imagination of Chinese Impressionistic Oil Paintings, proposing the Chinese oil painting artists move the aesthetic desire and expression techniques of traditional Chinese painting into their own oil painting composition while they study and research Westem painting techniques systematically and they can create the Impressionistic Oil Paintings full of Chinese characteristic.
出处
《中南林业科技大学学报（社会科学版）》
2012年第3期110-112,共3页
Journal of Central South University of Forestry & Technology（Social Sciences）
基金
湖南省教育厅科研项目"中西文化结合语境下的中国风景油画研究"的阶段性成果(编号:10C0954)
关键词
中西文化融汇
写意
审美内涵
integration of Chinese and Western Cultures
impressionistic
aesthetic connotation
