摘要
新世纪以来,越来越多的作家进入高校,担任教职,选择"学院化生存"的方式。作家"学院化生存"既是新世纪之交文学场的裂变和学术场的膨胀的结果,也体现了一批有良知的人文知识分子试图拯救颓败的文学生态、拯救人文教育的努力。但是,进入高校的作家似乎并没有改变高度体制化的高校坚硬的现实,相反有被高校同化的危险。作家选择学院化生存至少面临三重困境和难题:第一重困境是如何解决好文学的"下生活"与"上生活"的问题;第二重困境是如何解决好知识生产逻辑和文学创作逻辑自洽的问题;第三重困境是如何解决好学院政治对文学自主性的伤害问题。
Since the new century, more and more writers have entered into universities, being a teacher and living a life with ＂college style＂ . Writer＇ s life with ＂college style＂ is not only the result of literary field＇ s fission at the turn of the new century and the expansion of the academia, but also reflects the efforts of a group of humanistic intellectuals with conscience they try to save decadent literary ecology and humanistic education. But, the writers who had been at universities do not seem to change the hard reality a highly institutionalized university; and on the contrary they must meet the risk of assimilation by colleges or universities. To choose a life with college style, writers will at least face with triple troubles： first, is how to solve ＂ Ivory tower life ＂ and ＂ Grassroots life ＂ in literature; second, is how to solve the self- consistent between knowledge production logic and literary creation logic; third, is how to solve college politics＇ damage to literature＇ s autonomy.
出处
《社会科学》
CSSCI
北大核心
2012年第10期183-192,共10页
Journal of Social Sciences
关键词
作家学院化生存
学院政治
新世纪
文学生产机制
纯文学
Writer＇ s Life with ＂College Style＂
College Politics
New Century
Literary ProductionMechanism
Belles - Lettres
