摘要
苏轼开创了清空词法,并引领南宋词坛上清空词风。苏轼的清空词法有两个特点:第一,运用才学作词,抒发一种抽象模糊的意趣。作者有意清空掉的内容,在读者的阅读中得到了进一步的充实和完善,因而其词具有常读常新、经久不衰的艺术魅力;第二,构思精巧,用寻常的题材抒发不寻常的情感,这种情感常常出人意料之外,仔细推敲又恰在情理之中。虽然苏轼名不入宋代词学的正派序列,但他那种自然清空的词法却是南宋正派体系词人孜孜以求的理想境界。
Su Shi started the art of qingkong （清空, literally clear and empty） for the ci poetry and ushered in the ethos of qingkong to the field of ci poetry in the Song Dynasty. Su＇s art of qingkong is characterized by the following two aspects. Firstly, he based his poems on his talents and scholarship and created images and senti- ments open to interpretation. He deliberately emptied the allusions of his poems and enabled his readers to en- rich them during their reading. His poems give the readers a new understanding each time they read them, thus gaining timeless artistic charm. Secondly, the text of his poems is ingeniously constructed. Through com- mon themes, he was able to express unusual feelings, which will surprise his readers but be found to be very reasonable after careful thought. Although Su Shi was not regarded as one of the orthodox writers of ci poems in the Song Dynasty, the natural style of his qingkong-based poems was the ideal state which the orthodox writers of ci poetry pursued assiduously.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2012年第5期125-130,共6页
Journal of Nanjing Normal University(Social Science Edition)
基金
河南省哲学社会科学规划项目(2008BWX004)
关键词
苏轼
清空词法
南宋词坛
清空词风
Su Shi
art of qingkong for ci poetry
field of ci poetry in the Southern Song Dynasty
qingkong ethos of ci poetry
