摘要
本文通过对中国国家博物馆藏辽、金、元春水、秋山玉器实物的分析,并结合文献记载,较为深入地探讨了辽、金、元时期春水、秋山玉器的种类、纹饰、用途以及制作工艺和玉料产地等相关问题。辽金元春水、秋山玉器制作工艺非常精湛,充满了草原风情和艺术气息,展现出其独特的渔猎捺钵文化。春水、秋山玉器的使用者多为皇室成员及贵族,是身份的重要标志。玉料产地,大多来自我国新疆和田地区。
The author studies the spring water/autumn mountain jades dating to the Liao, Jin and Yuan dynasties in the National Museum of China collection and discusses the type, decoration, function, carving techniques and place of origins of such jades, The spring water/autumn mountain jades from this period are made in excellent techniques, They reflect the strong flavour of art from the steppe and the unique nabo culture based on fishing and hunting. Spring water/autumn mountain jades were the privilege of the imperial family and the noble class and thus denote the owner＇ s social status.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2012年第10期64-82,共19页
Journal of National Museum of China
关键词
辽金元
捺钵
春水玉
秋山玉
玉器
Liao, Jin and Yuan dynasties
nabo culture
spring water jade
autumn mountain jade
jade
