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On the Gradualness by the Narrative Ambiguity in The Sound and The Fury 被引量:1

On the Gradualness by the Narrative Ambiguity in The Sound and The Fury
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摘要 How to disambiguate the four narrators'narratives is the critical step to understand the whole work of The Sound and The Fury. With the gradualness produced by the ambiguous narrators'narration of juxtaposition of modern and traditional narration,another synchronized gradualness of Caddy is discovered,too. On the basis of deconstruction and psycho - analyses,rich and deep significance is illustrated by elucidation of narrative gradualness,as a new way to disambiguate the narrators'narration. How to disambiguate the four narrators' narratives is the critical step to understand the whole work of Tile Sound and The Fury. With the gradualness produced by the ambiguous narrators' narration of juxtaposition of modern and traditional narration, another synchronized gradualness of Caddy is discovered, too. On the basis of deconstruction and psychoanalyses, rich and deep significance is illustrated by elucidation of narrative gradualness, as a new way to disambiguate the narrators' narration.
出处 《学术界》 CSSCI 北大核心 2012年第11期253-262,共10页 Academics
基金 Humanities and Social Sciences Research Planning Fund Project of the Ministry of Education,PRC,under Grant No.:09YJAZ H014,namely"Studies of Narrative Ambiguity: Cognitive Basis and Narrative Strategy"
关键词 歧义 骚动 渐进性 The Sound and The Fury ambiguous narrators' narratives modem and traditional narration narrative gradualness deconstructive significance
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  • 1Faulkner, William.The Sound and The Fury Guernsey, Channel Islands : The Guernsey Press Co. Ltd. , 1995.
  • 2For "diff6rence", see : Derfida, Jacques. In Speech and Phenomena and other Essays on Husserl' s Theo- ry of Signs, David B. Allison, trans. Evanston : Northwestern University Press, 1973, pp. 129 - 160.
  • 3For Sigmund Freud ' s famous tripartite model of the structure of the mind, see the 5th part of "Neuroses and the Structure of the Mind". Available on line at : http ://www. iep. utm. edu/freud/( accessed 24 Oct. 2012 ).
  • 4For reterence, see reminiscent point ot view that can be divided into an experiencing one and a narrative one :Shen Dan, Narratology and the Stylistics of Fiction. Beijing, Beijing University Press,1998 ,pp. 250 -268.

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