摘要
本雅明作为空间批评的先驱,关于巴黎与波德莱尔诗歌互文性关系的阐释对其后的城市研究影响巨大。他通过对超现实主义的研究获得了某种世俗启迪,认为对其解读必须与巴黎城市景观结合起来。他发现了城市化作为资本主义现代性进程的物质化向度的历史意义,将已经被取代的拱廊、工业建筑及广告等物质性历史"垃圾"与现代主义文学开创者波德莱尔的诗歌联系起来,研究城市日常生活与文学文本的辨证关系及蕴涵着现代性震惊体验的互文表述。波德莱尔的诗歌被他视做一种现代城市的辩证意象,通过解读其作为诗性事物的商品意象来探究19世纪城市生活各种体验,并发展出一种建立在由资本主义过时商品构成的废墟之上的乌托邦美学。
As the forerunner of spatial criticism, Benjamin＇s interpretation on the intertextuality between Paris and Baudelaire＇s poems has influenced the urban research after him. While conducting his research on surrealism, Baudelaire received a kind of ＂secular＂ enlightenment. He perceived that the interpretation of surrealism must be associated with the urban landscape of Paris. He found the historical meaning of urbanization by interpreting it as the material demonstration of capitalist modernization, set up links between the historical ＂trashes＂ such as arcades, industrial architecture, and advertisement with Baudelaire＇s poems, and did research into the dialectical relationship between daily life and literary texts, proclaiming that the intertextuality between them called up ＂shocking experi- ence＂. Baudelaire＇s poems were taken as the dialectical images of modern Paris. Through deciphering Baudelaire＇s poems as images of materials, Benjamin explored the urban experience of the nineteenth century, and established a unique utopian aesthetics upon the wastes of obsolete capitalist commodities.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2012年第6期14-19,共6页
Journal of Lanzhou University（Social Sciences）
基金
国家社会科学基金项目(12CZW001)
教育部人文社会科学研究青年基金项目(12YJC7752036)
兰州交通大学青年科学基金(2011057)
