摘要
20世纪80年代以来,少数民族作家的创作表现出明显的民族志诗学特征。新时期少数民族文学的传播与之有着密切而复杂的互动关系。民族志诗学所彰显的民族性和异质性促进了少数民族文学的崛起,其中历史追忆和文化忧虑成就了少数民族文学的文学价值;但是,民族志诗学中的民俗叙事在新的消费语境中却沦为市场炒作的消费符码。这也表现出现代语境中少数民族作家在言说立场和文化表达上的悖论处境。
Since the 1980s, the writing of minority writers exhibits the characteristics of ethnographic poetics. The spread of ethnic minority literature has a close and intricate relationship with ethnographic poet- ics in the new period. The nationality and heterogeneity highlighted by ethnographic poetics promote the rise of minority literature, meanwhile, history recalling and cultural concerns bring about the value of ethnic minority literature. However, in the new context, the folk narrative becomes consumer codes. It also shows the paradox of minority writers＇ cultural identity and expression in the modern context.
出处
《广西民族研究》
CSSCI
北大核心
2012年第4期130-135,共6页
GUANGXI ETHNIC STUDIES
基金
江苏省教育厅高校哲学社会科学基金项目"文化传播视野中的新时期少数民族作家汉语写作"(2012SJD750006)的阶段性成果
关键词
民族志诗学
少数民族文学
文学传播
消费符码
悖论
ethnographic poetics
minority literature
literature propagation
consumer symbol
paradox
