摘要
《诗经通论》是清代学者姚际恒的力作,作者不介入历代尊《序》与尊"朱"的争论,抛开历代经学家因为认识僵化所导致的成见,不囿前说,涵咏篇章,寻绎文义,从而形成了以文本为核心的诗歌接受理论,体现了倡导回归文学艺术审美本质的经典阐释思想。其主张诗贵神韵和诗赏新奇的美学观,使古老的《诗经》从厚重的经学阐释中走向诗意的呈现,展示出诗歌的审美特质,反映了作者的美学追求和审美理想。
＂General Theory of The Book of Songs＂ is a masterpiece of Yao Jiheng,who,as a scholar in Qing Dynasty,was not involved in a dispute between respect in sequence and Zhu Xi and got stuck in the old doctrine.Instead he put aside the stereotypes of ages of the scribes.Yao Jiheng chanted chapters and explained classical,choose the correct and ruled out the fallacy,thus forming appreciation theory which is included in this article.And his theory reflects classic interpretation thinking about advocating a return to the aesthetic nature of the literary.Yao Jiheng’s emphasis on charm and appreciation in novelty made it possible to finish a transition from serious and solemn interpretation of ancient ＂the Book of Songs＂ to the poetic presentation,demonstrating the aesthetic qualities of poetry,which reflected his pursuit of aesthetics and aesthetic ideal.
出处
《中南大学学报（社会科学版）》
CSSCI
2012年第6期129-133,共5页
Journal of Central South University：Social Sciences
关键词
姚际恒
《诗经通论》
神韵之美
以奇为美
Yao Jiheng
the General Theory of ＂the Book of Songs＂
Beauty of charm
Beauty of novelty
