摘要
嵇康《声无哀乐论》在音乐和情感、音乐与政治关系上提出了自己新的见解,这对传统的《乐记》是一个很大的颠覆,二者冲突的实质是对音乐本质认知的差异;《声无哀乐论》提出的音乐观点实际是对儒家"礼乐"传统的质疑。
Ji Kang put forward his different understanding of the relationship between music and emotion, music and politics in his book Music Has no Sorrow or Joy, which is a great subversion of the traditional A Record of Music. The essential conflict lies in the different understanding of the nature of music. The views of music in Mu- sic Has no Sorrow or Joy reflect the total doubt on Confucian tradition of ＂rites and music＂.
出处
《许昌学院学报》
CAS
2012年第6期42-45,共4页
Journal of Xuchang University
关键词
声无哀乐论
乐记
政治
自然
Music Has no Sorrow or Joy
A Record of Music
politics, nature
