摘要
东北作家端木蕻良自幼受萨满文化和新文化的双重影响。这种影响在他的小说《科尔沁旗草原》《女神》等作品中都有明显的表现。他不仅将萨满降神场景如实地描写出来,更为重要的是他能将萨满思维运用到以小说为精神寄托的文学创作中。以萨满万物有灵观念写作的家族小说《科尔沁旗草原》,让他在人生和家族的困顿中,找到了一条有别于其他以家族衰败为内容的现代小说创作思路。这一观念也促使他在小说创作中,常能以高昂的信念,成就出人物的功绩。
Born in Northeastern of China, the writer Duanmu Hongliang was affected by both Shamanism and new culture from his childhood. These influences are represented in his novel＂ Horchin Banner Grassland＂ and ＂Goddess＂. He could describe scene of Shamanism into which he could put into novels. Based on animism, ＂Horchin Banner Grassland＂ helped to find creative thinking which is different from other content of family vicissitude. This concept could spur him to make accomplishment by elegant faith.
出处
《满语研究》
CSSCI
2012年第2期100-104,共5页
Manchu Studies
基金
国家社会科学基金项目(项目编号:10BZW080)
关键词
萨满文化
端木蕻良
科尔沁旗草原
家族小说
Shamanism
Duanmu Hongliang
＂Horchin Banner Grassland＂
family fictions
