摘要
伴随中国电影市场化迅速加深,作为中小成本国产商业电影市场最具品牌价值的创作群体,新生代导演在新世纪十年之后面临类型片探索与艺术片情结的双重考量。本文针对四位新生代导演较具代表意义的作品展开分析,讨论其商业化尝试与市场定位的成败及其原因。
With the rapid development of Chinese film market, as the most promising and Popular creative group, new -generation directors have explored upon different kinds of films and have had a complex in art film in recent 10 years. In this paper, we analyze representative works directed by four new -generation directors, and discuss their commercial attempt and causes for success or failure in market orientation.
出处
《艺术百家》
CSSCI
北大核心
2013年第1期73-77,53,共6页
Hundred Schools In Arts
基金
上海市高等教育内涵建设"085"工程子课题阶段性成果
全国艺术科学规划项目2007年度青年项目"中国新生代电影导演研究"(项目编号:07CC61)阶段性成果之一
