摘要
黄梅戏在其发展过程中,经历了从亲身传播、单面传播到一种方式兼容多面传播等形态的演变。黄梅戏因此而实现从民间小戏到中国五大剧种之一的转变,并形成"梅开一度"和"梅开二度"的繁荣。随着网络平台的崛起,黄梅戏的发展和传播面临新的挑战和机遇。从传播基本结构及其要素的角度看,黄梅戏要走出困境而柳暗花明,必须适应传播媒介的多元化,提升传播主体素质,扩大传播受众范围,创新传播信息,整合传播媒介。
There are various kinds of transmission way in Huangmei opera evolvement ： by - self transmission, single - side transmission, and multi -aspect transmission. In such a way that Huangmei opera becomes one of Chinese five operas and welcomes its prosperity. As the network platform rises, new challenges and opportunities confronting the development and transmission of Huangmei opera. From the perspective of the basic structure and factors of transmis- sion, to get out of the dilemma, it is a must for Huangmei opera to adapt itself to the transmission pluralism, and to promote its subjective transmission quality, update transmission information, and integrate transmission media.
出处
《艺术百家》
CSSCI
北大核心
2013年第1期185-189,共5页
Hundred Schools In Arts
基金
2009-2010年度安徽省哲学社会科学规划一般项目"黄梅戏影视剧对黄梅戏传播与发展的影响研究"(项目编号:AHSK09-10D115)阶段性成果之一
关键词
戏曲艺术
黄梅戏
传播
传播媒介
发展路径
Huangmei Opera
Transmission
Transmission Media
Development Way
