摘要
上巳祓禊是中国先秦以来的习俗,在汉魏六朝时期形成独特的曲水文化。曲水文化在自身的形成过程中构成了三种不同层面:民众嘉年华、贵族士人雅集和宫廷宴会。而曲水文学也随着时代、地域以及表现层面的不同而发生变异,演化为汉代禊赋、两晋哲理诗、南朝宫廷诗及序三个主要范畴。曲水之宴在公元5世纪通过王朝使节的中介传入日本,其接受形态完全在宫廷文化层面,与其他两个层面无涉;但公元7世纪开始出现的日本曲水文学则未能继承南朝宫廷曲水文学的传统,而是因应本国文化阶段和特色,产生了新的面貌。公元5—7世纪的中日曲水文化,显示出异文化传递中富于意味的嫁接过程,是东亚贵族时代的一个标志性现象。
The Shangsi Festival（上巳祓禊） held on March 3, a custom that wash away evil influence by river water, was originate from pre-Qin period of China. There were three aspects of Shangsi festival during the Six Dynasties, which are public carnival, scholar elegant meeting, and court banquet. The latter two were including literature creation activities, in particular, the court banquet spread into Japan by envoys at the end of 5th century, the top of China＇ s aristocracy and the begging of Japan＇ s. In Japan, it turned into Hinamatsuri, a festival of daughters. Bending-water banquet literature among the East Asian aristocratic age transferred according to different era and area. Shangsi rhapsodies of Han, philosophic poems of Jin, and court literature of the South Dynasty, are three remarkable types in china. Correspondingly, besides Chinese poems, wakas that describe flowers and plants also became important type in Japan.
出处
《学术月刊》
CSSCI
北大核心
2013年第3期132-139,共8页
Academic Monthly
基金
2012年度教育部人文社会科学研究青年基金项目(12YJC751050)
第51批中国博士后科学基金面上资助的"南朝贵族文学生态研究"(2012M511347)的阶段性成果
关键词
曲水文化
贵族时代
宫廷文学
日本汉文学
bending-water banquet, the East Asian aristocratic age, court literature, Chinese literature in Japan
