摘要
莫言关于饥饿、孤独、屈辱、恐惧的童年记忆是其小说创作的丰富库存;莫言创作的三十多年跨越了天马行空、大地歌唱和灵魂忏悔三重境界;其小说文本对于女性的赞美,表现出了作家的男性视角,以弗洛伊德心理分析理论来看,这是俄狄浦斯情结中恋母情结的表现。这种情结的萦绕,总是使莫言的作品潜含着温情和对爱的渴望。
Mo Yan＇s childhood memories about hunger, loneliness, humiliation and fear are the rich inventory for his novels; and his 30 - year creation strides across triple states： a powerful and unconstrained style, ode to the land and soul confession. The praise for women in his novel texts expresses the writer＇ s male perspective, and from Freud＇s psychoanalytic theory point of view, this is the perspective of Oedipus Complex which always makes Mo Yan works inclined to the longing for love and tenderness.
出处
《山东女子学院学报》
2013年第1期1-7,共7页
Journal of Shandong Women＇s University
关键词
莫言
童年
小说
三十年
三重境界
女性
Mo Yan
childhood
novel
30 years
triple states
female
