摘要
以往的文学史写作都是围绕着抒情传统来写就的,即诗、词、歌、赋才是中国文学的正宗代表,《中国文学叙事传统研究》一书的出版,打破了这种长期以来的认知模式和写作模式。该书作者认为,中国文学史是由抒情传统和叙事传统这两条线索构成的,一部真正的中国文学史必须要把这两方面的内容都呈现出来。这种思维模式转换具有重要意义,即意味着对中国文学史认识和评估的视角发生了根本性的转变,文学史写作由原来的一个中心变成了两个中心,中国文学史搭建的框架基点发生了根本性的改变。
Regarding the four forms of poetry （verses, ditties, odes and songs） as orthodox representatives of Chinese literature, previous works on Chinese literary history tended to focus on the lyricism tradition of Chinese literature. Such interpretation and description of Chinese literature, however, are revised in A Study of the Narrative Tradition of Chinese Literature, whose author believes that the two traditions of Chinese literary history, namely lyricism and narratism, should be both covered in a book on Chinese literary history. This paradigmatic shift is significant, which means a fundamental change of literary-history evaluation from mono-center to dual-center. In other words, the basis on which Chinese literary history has been constructed is radically changed
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2013年第2期32-39,共8页
Journal of Shanghai University(Social Sciences Edition)
关键词
《中国文学叙事传统研究》
文学史
抒情传统
叙事传统
A Study of the Narrative Tradition of Chinese Literature
literary history
lyricism
narratism
