摘要
《他山集》是汪立三于20世纪80年代创作的一部优秀的复调音乐套曲集。从主题、和声进行、对住写法等创作技法分析，可以看到这部套曲集巧借西方经典复调形式——序曲与赋格，运用现代作曲技法，将我国传统音乐感性的音乐内容和自由、自然的表现精神融合于其中，使中国传统的线性思维在多声部织体中获得了新的发展空间，这对中国钢琴音乐的发展具有很好的参考与启示作用。
Tashan Ji is a polyphonic music album created by Wang Li-san in the early 1980s. By analyzing theme, harmony, and counterpoint of writing techniques, you can see this album skillfully integrated western classical polyphonic forms - prelude, fugue and modern composition techniques with our traditional music perception of music content and freedom. Consequently, traditional Chinese linear thinking gets the new space of development in multi-tone texture, which has the very good reference and enlightenment function to the development of Chinese piano music.
出处
《特立学刊》
2013年第2期44-49,共6页
Teli Journal
关键词
汪立三
钢琴套曲
《他山集》
复调
序曲
赋格
Wang Li-san
piano divertimento
Tashan Ji
polyphonic
prelude
fugue
