摘要
The present paper, in spite of its quite scandalous title, is just a serious reflection, from the inside, on a certain part of the poetry of a contemporary Romanian poet (the author of the paper himself), in the line of a tradition starting with Poe's Philosophy of Composition (1846), passing through the avant-garde and ending, for the moment, in Andy Warhol's self-promotion. The analysis from the inside and the honest reflection of the interplay between poetry, music, and contemporary popular culture might lead to a better understanding of the poetry made at the end of the 20th century--beginning of the 21 st century. The corpus analyzed is a series of poems written between 1994 and the present day, under the generic title of ditty, published in several books (between which a bilingual pamphlet, Ditties/Cfntecelce), 1998), and the paper speaks about their genesis, their poetics, and hopes to help the process of their interpretation, as well as to bring a new interpretation of the poetry/music relationship