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文化诗学视域下的文学新形态——“视像-文学”整体性研究 被引量:1

A New Literary Form in Perspective of Cultural Poetics in Comprehensive Study of“Video-Literature”
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摘要 随着科技的发展,文学的载体发生了变化,文学不再单纯地以文字的形式写在纸上、印在书上,它开始与图像、声音等结盟,通过大众传媒这一媒介来传播。对于视像与文学相结合成的文学新样式,需用文化诗学文本内外整体性研究的方法,来全面关照"视像-文学"这种新的文学现象。文化诗学以它开放性的理论品质顺应时代变迁来接纳新文学样式,它把这些新文学样式作为文艺理论的研究对象,同时也拓宽了文艺学的学科疆界。 Abstraet:With the development of technology, the carrier of literature has changed,literature is no longer a simple form of text written or printed on papers ,it began with images, sounds and other alliances,through the medium of the mass media to spread. This paper will focus on the combination of visual and literature that makes up a new literary style, and uses the method of cultural poetics that has a overall research with from inside and outside to comprehensively care "video-Literature" this new literary phenomenon. Cultural Poetics in its theoretical openness to adapt to changing times to accept the new literary style, to take this new literary style as a objects literary theory, while literary theory is broadening the boundaries of disciplines. Key words: "video-Literature"; a new literary form; Cultural Poetics; vector-borne
作者 李柳莹
出处 《成都理工大学学报(社会科学版)》 2013年第4期79-82,共4页 Journal of Chengdu University of Technology:Social Sciences
基金 兰州大学中央高校基本科研业务费专项资金资助项目(11LZUJBWZY005)
关键词 “视像-文学” 文学新形态 文化诗学 媒介传播 "video-Literature" a new literary form Cultural Poetics vector-borne
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  • 1参见拙文《文艺学的问题意识与文化转向》,《多元对话时代的文艺学建设》,军事谊文出版社2002年版.

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