摘要
追求"纯诗"是中国早期象征诗派与法国象征主义诗潮的共同创作取向。而音乐与艺术的关系则是存在主义诗学不可或缺的主题话语,一方面在存在主义话语体系中音乐(精神)是世界的本原和创造的原动力,另一方面"音乐是本原性的艺术"因而最逼近象征诗歌的艺术特质。法国象征主义诗潮和中国早期象征诗派都在存在主义诗学的价值层面进行自觉的实践和理论的建构,将"音乐性"或"音乐精神"视为"纯诗"的艺术内核和美学本质,亦即,"纯诗"中的"音乐"境界不仅是一种生命存在的最高境界,也是象征主义诗艺的至高理念。与此同时,不同的文化语境和艺术背景又使得两者的象征诗作呈现出某些创作差异。
Generally,the pursuit of 'pure poetry' is the orientation of creating for Chinese orientation of early symbolic poem and French symbolism poetry.And the relationship between music and art is indispensable,on one hand,in the presence of a discourse system,music(spirit) is the world's origin and motive of the creation;on the other hand 'music is the art of primitive sexual' which is very close to the characteristics of the Symbolic Poems.The French Symbolism Poetry and the Early Symbolic Poem have done their practice and theory construction in the value of the Existentialism Poetics,treat the 'musical' or the 'music spirit' as a kernel of art and aesthetic essence of 'pure poetry',namely,the state of music in 'pure poetry' is not only a kind of the highest state of life,but also the highest concept of Symbolic Poems.At the same time,the different cultural context and artistic background bring some differences in their creation.
出处
《暨南学报（哲学社会科学版）》
CSSCI
北大核心
2013年第4期91-96,163,共6页
Jinan Journal(Philosophy and Social Sciences)
基金
湖南省哲学社会科学评审委员会重点课题<20世纪中国存在主义文学史论>(批准号:10112462)
湖南省教育厅科学研究项目重点课题<20世纪中国存在主义文学史略>(批准号:10A084)
