摘要
西方世界所接受的诗人李白,是一个由其人生经历、人格特征、诗歌创作等一起构成的综合文化形象。这一形象并非李白本身,而是一种想象和建构。通过考察20世纪两位著名的西方汉学家阿瑟·韦利和斯蒂芬·欧文笔下的李白形象,可以发现从20世纪初至20世纪末,西方的李白形象经历了从早期的欢迎崇拜,到中期的理性批判,及至最后的全面认识。李白的西方形象是带有接受者自身烙印的形象,折射的是接受者所身处的时代和文化。
The poet Li Po through western eyes is an integrated cultural image combined with his life experience, his character and his poems. However, this image is not the same as Li Po himself, it is an image made by imagination and construction. Through the research on the works written by two famous sinologists Arthur Waley and Stephen Owen, it is clear that the western image of Li Po went through a momentous change in the twentieth century. It began with admiration, and then slowly swung into the rational judgment, finally it became fully comprehensible. The receivers exert an effect on the western image of Li Po, showing the different culture and times that the receivers live in.
出处
《合肥工业大学学报（社会科学版）》
2013年第3期95-99,共5页
Journal of Hefei University of Technology(Social Sciences)
基金
四川省教育厅李白文化研究中心课题(LB10-20)
