摘要
蘩漪的悲剧不仅仅是某个人、某个家庭、某个时代、某个社会的悲剧,它是人的欲望与文化交互关系的悲剧,它具有人性普遍的意义。蘩漪这一悲剧形象表现了人对自由爱欲的追求与中国传统儒家文化和新的西方人性解放的文化不可调和的矛盾。中国传统儒家文化压制了人对自由生命的追求。这种强烈的生命感悟,由蘩漪这一审美对象所激发,蕴含的是人对自身的爱欲与文化之关系的沉思和探索。
Fanyi＇s tragedy is not only the tragedy of a certain person, family, times and society, but also the tragedy of the interaction of human desires and culture, which has the universal significance of human nature .The image of Fanyi represents the human seeking for flee love desires and the contradict between Chinese traditional Confucian culture and the new culture of Western humanity emancipation .Chinese traditional Confucian culture compresses the human seeking for free life .Such strong life sentiment is aroused by the image of Fanyi, which contains human thinking and exploration of the relationship between love desires and cultures.
出处
《广西职业技术学院学报》
2013年第3期59-63,共5页
Journal of Guangxi Vocational and Technical College
关键词
爱欲文化
蘩漪
悲剧
love desires
culture
Fanyi
tragedy
