摘要
20世纪以来,西方建筑界"色彩复兴运动"悄然兴起,欧洲涌现出大量极富色彩表现力的建筑作品和一些以表皮色彩为主要设计特色的建筑师,在此背景下,国内的建筑设计对色彩的关注也与日俱增,但与欧洲深厚的色彩学研究相比,我国的建筑色彩实践尚处于起步阶段。该文以阿尔多·罗西的建筑色彩实践为研究对象,通过建筑师与艺术家的深入讨论,试图从建筑与绘画艺术两个角度来阐释建筑与色彩的关系,以建筑色彩的角度来解读"城市建筑学"。
Since 20＇h Century, with the Color Renaissance in the field of architecture in the west, there have appeared a lot of architectures full of color expressive force and architects who take skin color as the main design features in Europe. At the same time, Chinese architectures show more attention to color design. However, architecture color practice in China is still in its beginning stages compared with the solid research of color in Europe. In this article, in the view of both architecture and painting, we try to discuss the relation between architecture and color by researching the color practice of Aldo Rossi＇s architecture. In this way, we want to interpret ＂the Architecture of the City＂ in the view of architecture color.
出处
《华中建筑》
2013年第8期9-12,共4页
Huazhong Architecture
关键词
建筑色彩城市建筑学历史性地域性符号化
色彩组合
绘画性
Architecture color, The Architecture of the City, Historic, Regionalism, Symbolization,Color scheme, Painterly
