摘要
安东尼奥·高迪的建筑充斥着大量自然元素符号的有机运用,在其建筑中折衷主义的表现手法、"混搭"的装饰风格、西班牙本土地域风情尽显其中。高迪的建筑与室内设计可以说是设计历史上个性化符号语言具体化的标杆。但其在室内空间内过度使用有机变幻的符号学语言违背了室内人体心理的恒久承受度,故对其设计思想价值作出评判。
Antonio Gaudi building was filled with natural organic element symbols use in their buildings eclecticism of expression, ＂Mas-hup＂ decorative style, the Spanish mainland regional style filling them. Gaudi’s architecture and interior design can be said that the history of design personalized symbolic language specific benchmark. But the organic changes within the interior space of the overuse of semiotic language violates the interior permanent tolerance of human psychology, thus to judge the value of the design.
出处
《家具与室内装饰》
2013年第7期22-23,共2页
Furniture & Interior Design
基金
2012江苏省高校哲学社会科学研究基金项目(编号:2012SJB760022)
关键词
高迪
符号语言
符号论
室内设计批评
Gaudi
Symbolic Language
Semiotic
Interior Design Criticism
