摘要
《天真之歌》与《天真之兆》是英国浪漫主义起点诗人威廉·布莱克的代表作。虽然两部作品的创作背景截然不同,但在创作理念上却不约而同地钟情于"天真"。《天真之歌》是"天真"情结的源头,侧重于抒发真情;而《天真之兆》则是"天真"情结的延续,侧重于揭示真理。以布莱克的《诗的素描》、《经验之歌》与《耶路撒冷》为佐证,解读布莱克诗歌创作过程中贯穿的天真情结。
Songs of Innocence and Auguries of Innocence are representative works of William Blake -tlae starting poet of English Romanticism. Although they are created under different writing backgrounds, both of them mirror the same writing philosophy of Blake, that is his code of innocence. The poems collected in Songs of Innocence can be considered as the starting point of the code, which expresses true feelings. Whereas Auguries of Innocence can be deemed to be the prolonging of the code, which reveals the true reality. The code of Innocence running through William Blake＇ s poetry writing journey is deciphered in terms of Songs of Innocence and Auguries of Innocence with his late poem Jerusalem as a supporting evidence.
出处
《吉林化工学院学报》
CAS
2013年第10期61-63,共3页
Journal of Jilin Institute of Chemical Technology
基金
吉林省社会科学基金项目[2011B404]
关键词
威廉·布莱克
天真之歌
天真之兆
天真情结
William · Blake
Songs of Innocence
Auguries of Innocence
the code of innocence
