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Hyper-real Narratives: The Emergence of Contemporary Film Subgenres 被引量:1

Hyper-real Narratives: The Emergence of Contemporary Film Subgenres
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摘要 The scope of this paper is to investigate a number of emerging contemporary popular subgenres, namely that of "mumblecore film", the "best-worst film" and "the gonzo documentary". Unlike historical cinematic movements, these subgenres are the result of our techocentric culture and commercialism. In this respect these subgenres are less motivated by a collective ideology, but rather a cultural phenomenon resulting from increased access to popular culture, hypermedia devices, social media, and new marketing techniques. This paper investigates the displacement of traditional models of temporality through the metamorphosis of today's audiovisual culture, outlining the subject's embodiment of voyeurism and exhibitionism, ushering in a hyper-real era of self-myth making and consumption.
出处 《Journal of Literature and Art Studies》 2013年第9期568-575,共8页 文学与艺术研究(英文版)
关键词 hyper-real mumblecore best-worst film gonzo documentary transmedia storytelling voyeurism exhibitionism popular culture 风格 电影 流行文化 媒体设备 意识形态 文化现象 纪录片 商业化
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