摘要
五代时期是中国历史上两大封建王朝,即唐和宋的转折和过渡时期。研究这一时期的审美文化,对于辨析唐、宋两代审美风格的差异缘由,以及中国美学史的补充和完善,都具有重要的意义。本文以该时期创作的文学文本《花间集》为中心,探讨了这一历史阶段士人阶层在审美对象、审美能力、审美色彩和审美趣味四个方面呈现出来的特点,将其概括为由外而内、由粗转精、"金"的凸显和醇酒美人。并在此基础上,探讨了其背后的深层社会政治文化原因。
Five Dynasties is a transitional age between Tang and Song. To study the aesthetic culture of this period, can help us to find out the causes of the differences of aesthetic style between Tang and Song. This treatise, after a interpretation of Huajianji, describes the character of taste of the intellectuals in this period, embodying on objects, judgment, colors, and relish, which can be generalized as, form outside to inside, from the gross to the refined, prominence of the golden, mellow wine and belle, whereof we can disclose the socialpolitical causes of this kind of taste.
出处
《理论界》
2013年第10期120-123,共4页
Theory Horizon
关键词
五代时期
由外而内
由粗转精
金
醇酒美人
five Dynasties
from outside to inside
from the gross to the refined
prominence of the golden
mellow wine and belle
