摘要
2013年中国文艺学学术研究包含了一些"重返公共话语"的冲动,并逐步开拓出一些影响未来学科发展的可能性空间。"美的回潮"究竟是真正回到了中心性位置,还是只是一种性质值得怀疑的复归?新世纪西方美学新潮仍然层出不穷,但其对中国美学的影响尚还较为有限。马克思主义美学之于21世纪美学研究的新视域,还亟待开拓。文艺学的文化研究仍然主要集中在大众文化和亚文化批判上,大众文化研究的批评尺度成为今年关注的重点;而新世纪以来尤其是新媒体时代出现的青年亚文化现象则成为另一个重点。新媒体文艺理论研究的空间也在2013年获得了进一步的推进。
The literary theoretical research in China in 2013contains some impulsion of'return to public discourse'and opens up some possible space of producing some effect on develop- ment of subject in the future.'The reversion of aesthetics'returns to the centre position on earth or it is just a doubtful involution?The new wave of western world aesthetics emerges in the new century,but it has a limited influence on Chinese aesthetics.Facing the new field of vi- sion of new century,Marxist aesthetics still needs to develop.The culture study in the theory of literature and art still focuses on mass culture criticism and subculture criticism,and the fo- cus of the measure of mass culture criticism especially becomes the key point this year;moreo- ver,the youth subculture phenomenon appearing in new media time since new century has be- come another key point.The space of the new media theory research gets a further advance in 2013.
出处
《学术界》
CSSCI
北大核心
2013年第12期208-215,312,共8页
Academics
基金
国家社科基金重点项目"中国当代文学中的民族记忆研究"(12AZD089)
上海市教委科研创新重点项目"当代中国视觉文化转型问题研究"(13ZS073)支持
关键词
文艺学
公共话语
美的回潮
大众文化
亚文化
新媒体文艺理论
the theory of literature and art
public discourse
the reversion of aesthetics
mass culture
subculture
the theory of new media
