摘要
通过对中国的摔跤"武"、"戏"元素的演变考察其由角抵到中国式摔跤的发展。研究认为,"武"、"戏"杂陈的"角抵",一方面,因其"以力相搏"的徒手格斗之"武",在"以巧相制"的"力与巧"发展中,由"拳打脚踢"的原生技术而"去踢"、"去拳"、"终在扑也";另一方面,其"用相夸视"之"戏"而与俳优同台展演,后因其"两两相当"的竞赛活动而与诸多伎艺同场演出,因其"分棚竞演"而开启了独演之旅。总之,角抵之"戏"与"武"元素,在"宫廷表演"与"瓦舍竞技"的结合、军队训练与武术锻炼的结合中,形成中国式摔跤的竞技性和表现力。
Examining the evolution of Chinese wrestling, this paper throws a new light on the interplay between the two ele ments of Chinese wrestling：＂ martial art＂ and ＂performance＂. On the one hand,in the course of its evolution, the original techniques such as punching and kicking have given way to the maneuvers including ＂throwing onto the ground with hands＂ and ＂wrestling and trip with legs＂ in order to get the opponent grounded, and therefore, skills have got more impor tance than force. On the other hand, thanks to its value as a performance, first it was put on the stage to provide a supple ment to other kinds of artistic shows and then it was performed independently. Finally, the Chinese wrestling characterized by ＂martial art＂ and ＂performance＂ comes to serve its particular purpose both as a ＂Court Performance＂ and as a ＂folk competition＂.
出处
《沈阳体育学院学报》
CSSCI
北大核心
2013年第6期122-126,共5页
Journal of Shenyang Sport University
基金
"上海体育学院研究生教育创新基金"资助项目
编号:yjscx201316
关键词
角抵
中国式摔跤
武与戏
jue-di
Chinese wrestling
＂martial art＂ and ＂performance＂
