摘要
非物质文化遗产的数字化保护主要体现在数字摄影、多媒体与宽带网络技术、虚拟现实、三维信息获取、高保真全息存储技术等方面。但是国内的应用却限于初级层面,后三种手段还处于探索之中,需要深度挖掘和技术延展。数字化保护有逼近原物、再现真实和易于传播、方便存储的优势,但是也存在着过度娱乐化、显失本体和文化单极化挤压、夹缝中生存的窘境,因此需要建设完备的非物质文化遗产保护的传承人机制、经费保障机制、管理机制和运作机制以促进数字化手段的有效利用。
The digital protection of intangible cultural heritage mainly relfects in digital photography, multimedia and broadband network technology, virtual reality, 3d information acquisition, a high-end holographic access technology, etc. But domestic use is limited to the primary level, and the last three kinds of means are still in the exploration, needing to excavate and extend the technology deeply. Digital protection have some itself advantages, for example, the biggest approximate recreated original, the reproduced reality, the easy communication, and the convenient storage, but there are also some itself disadvantages, the excessive recreation, the lost ontology and cultural single-polarization extrusion, the plight of squeezed survival, we need to build the complete protection system of intangible cultural heritage inheritance mechanism, funds safeguard mechanism, management system and operation mechanism to promote the effective use of digital means.
出处
《设计艺术研究》
2014年第1期35-39,共5页
Design Research
关键词
非物质文化遗产
数字化
利弊
类别
intangible cultural heritage
digital method
pros and cons
category
