摘要
20世纪80年代伊始,"十七年"时期确立的小说理论规范受到冲击,王蒙、高行健等人的小说理论,从小说观念、小说构成要素等方面体现出新的内容;而这一时期小说创作的不断变化,西方小说理论的译介,直接推动了新时期小说理论的裂变,小说人物理论、情节理论、主题理论、语言理论多个领域,都有新的创建。20世纪80年代中期,由于叙事学的影响,形成了以小说形式为本体的小说理论,出现了小说叙事本体论、小说语言本体论、小说符号本体论等理论观点。20世纪90年代以来,叙事学最新理论动向——关于形式的意义的思考被介绍到国内,西方学者对叙事学的"纯形式"的反思和中国学者对于叙事形式和文化之间关系的思考,影响到了中国小说理论的发展,小说修辞学成为这一时期小说理论的主要内容。此外,新时期以来,在小说体式理论方面,形成了丰富的中篇小说、长篇小说体式理论。
The early1980s witnessed the impact on the criteria for the novel theory established during the 17-Year Period. The novel theories by Wang Meng and Gao Xingjian reflect the new content in terms of the concept、elements and related aspects and new changes are also reflected in the theory of character, plot and theme. Influenced by narratology in the middle of the 1980s,theoretical perspectives have been shaped in China, that is, the novel theories in the forms of novels as the ontological study,the linguistic and semiotic ontology in the form of novel narration. The rhetoric of fiction has been the main content of the novel theory since the 1990s, formulating different style theories like medium-length novels and full-length novel.
出处
《湖北大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第2期28-33,148,共6页
Journal of Hubei University(Philosophy and Social Science)
基金
国家社会科学基金资助项目:13BZW123
教育部人文社会科学基金资助项目:12YJC751114
