摘要
"清明"、"元宵"两大传统节日在《聊斋志异》中具有独特的叙事意义。它们不仅为人与人、人与异类的巧遇提供了有利时机,而且为怪异故事的衍生提供了现实背景和依托,使故事虚实交织,真幻相映,呈现出亦真亦幻的叙事效果,形成了"聊斋"故事"乐中伏悲、乐极生悲"的叙事模式。
： The two big traditional festivals of ＇ Qingming Festival＇ and ＇ Lantern Festival＇ have the unique narrative significance in Strange Stories from a Chinese Studio. Not only have they provided proper opportunities of chance en- counter for human and human, or human and the other races, but they have also offered the realistic background and setting for the derivation of strange stories. It interweaves the fiction and fact, and combines the actuality with the vi- sion, so as to present a narrative effect in-between reality and illusion, which forms the unique narrative pattern -- happiness accompaning sadness, and extreme joy begetting sorrow, of stories in Strange Stories from a Chinese Studio.
出处
《宜宾学院学报》
2014年第2期35-39,43,共6页
Journal of Yibin University
关键词
《聊斋志异》
节日叙事
时机
Strange Stories from a Chinese Studio
festival narrative
opportunity
