摘要
当代美国犹太女作家辛西娅·欧芝克(Cynthia Ozick 1928—)被称为犹太人的后现代主义代言人。她的小说在呈现女性表征过程中,戏仿历史人物、运用《圣经》典故、延异犹太传说,呈现出显著的互文性特征。本文以《升空》和《普特梅瑟和赞西佩》为范本,从互文性视角、基于欧芝克对于"前文本"的"吸收"和"改编",梳理其塑造的犹太婚姻关系中的女性表征以及职业生涯中的犹太女性表征,对照正统犹太教的女性观,分析互文性所生发的意义,解读欧芝克小说中的女性表征。
As the spokesperson of Jews in the postmodem era, Cynthia Ozick makes a distinctive use of intertextuality in her femi- nine representation by means of parody of historical figures, employment of Biblical allusions, and rewriting of Jewish legends. Tak- ing as samples Levitation and Puttermesser and Xanthippe, the present study attempts to interpret the meaning produced as a result of intertextuality in Ozick＇ s feminine representation on the basis of av analysis of her absorption and adaptation of the intertexts in contrast to the Orthodox Judaic gender law in her efforts to represent both marital and professional oppressions Jewish women ex- perience.
出处
《外语教学》
CSSCI
北大核心
2014年第3期77-79,共3页
Foreign Language Education
基金
国家哲学社会科学基金资助项目“辛西娅·欧芝克小说中的犹太性研究”(项目编号:13BWW056)
陕西省教育厅人文社会科学专项科研项目“犹太性的文学彰显:辛西娅·欧芝克小说艺术研究”(项目编号:12JK0262)的部分研究成果
关键词
辛西娅·欧芝克
互文性
正统犹太教女性观
女性表征
Cynthia Ozick
intertextuality
Orthodox Judaic gender law
feminine representation
