摘要
"菲德拉情结"是源自古希腊神话的继母恋继子情结。自欧里庇得斯的《希波吕托斯》伊始,大量有关这一母题的再写作品汇成一个互文关系网,形成了长达两千四百多年的再写传统。1996年,英国剧作家萨拉·凯恩的《菲德拉之爱》把这一传统推进至当代。通过解析该剧与塞涅卡的《菲德拉》的深层互文关联并分析其当代意蕴,可以发现,《菲德拉之爱》以独特的现实主义观照情怀解构了当今英国资本主义社会的消费主义文化和王室文化,拟写出了"菲德拉情结"再写传统的新经典。
Seen as the desire held by a love sick stepmother toward her stepson, ＂Phaedra complex＂ is named after the story of Phaedra in Greek myth. Starting from Euripides＇ Hippolytus, numerous works on this motif have formed a net of intertexualization and more than 2, 400 years＇ rewriting tradition. In 1996, British playwright Sarah Kane promoted this tradition to the modem era with Phaedra＇s Love. Through analyzing the deep intertextual relations between this play and Seneca＇s Phaedra and its modem meaning, the present paper concludes that Phaedra＇s Love has deconstructed Britain＇s capitalist consumerism and royal culture with specific realistic concern, which aualifies itself as a new classic of＂Phaedra complex＂ rewriting,.
出处
《外国文学研究》
CSSCI
北大核心
2014年第2期88-94,共7页
Foreign Literature Studies
基金
北京科技大学博士生科研基金项目"<菲德拉之爱>中的神话再写研究"的阶段性成果
