摘要
文化诗学的理论视角渗透到当下中国的非物质文化思潮。在研究对象层面,它提倡非物质文化研究重新回到文艺传播的社会空间,关注文化生产的民间经验;在理论范式层面,它重视文艺作品的社会属性和传播结构,突出非物质文化的社会建构和历史传播;在价值体系层面,它主张从文化符号转向社会文化,从历史传统转向文化认同。文化诗学为非物质文化所提供的,不仅是活态历史的理论视角,而且是民间经验的诗学空间。
Cultural poetics as a critical paradigm has been influencing intangible cultural studies in China. As toresearch subjects, it advocates the return of cultural studies to social space of literary activities, and focuses on folkexperiences of cultural productions; as to theoretical paradigms, it emphasizes social aspects and transmission structuresof literary-artistic works, and explores social construction and historical transmission of intangible cultures; as to valuesystems, it stands for the transfer from cultural semiotics to literary sociology, and from historical traditions to culturalidentification. Cultural poetics proposes both a theoretical perspective of live history, and a poetical space of folkexperience.
出处
《中南大学学报（社会科学版）》
CSSCI
2014年第2期179-182,共4页
Journal of Central South University：Social Sciences
基金
2013年教育部人文社会科学研究规划基金项目<当代荷兰文论家米克.巴尔的文化分析思想研究>(13YJA752021)
关键词
文化诗学
非物质文化研究
文艺形式
民间经验
文化生态
Cultural poetics
intangible cultural studies
artistic forms
folk experience
cultural ecology
