摘要
黄翔鹏先生提出"同均三宫"的理论后,引起了激烈争论,学界至今尚未取得一致意见。我国传统音乐中确实存在着正声、下徵、清商三种不同的七声音阶,但在古代文献中,"均"和"宫"是一个概念,因此将这种现象称为"同均三宫"并不合适,建议改称"同音多阶"。"同音多阶"与五度相生律有关,并非我国所特有,而是采用这种生律法的各民族音乐中共有的现象。
The theory of ＂three gong with the same temperament＂ proposed by Huang Xiangpeng arouses argument in the academic circle. There are three different diatonic scales in traditional Chinese music, but ＂temperament＂ and ＂gong＂ is the same concept in ancient literature. The phenomenon is more appropriate to call ＂multi-scale with the same tone＂. It is relevant with Pythagorean tuning, and is common in folk music with the same temperament.
出处
《浙江艺术职业学院学报》
2014年第2期54-60,共7页
Journal of Zhejiang Vocational Academy of Art
关键词
同均三宫
五度相生
同音多阶
three gong with the same temperament
Pythagorean tuning
multi-scale with the same tone
