摘要
本文通过“霍尔传播模式”与接受美学的比较研究,对“传播者中心论”进行了思考,分析了经典传播学过于依赖于线性通讯的模式来理解大众传播过程的错误,对霍尔模式及其启发意义作了充分的肯定和发挥。作者认为,当代大众传播媒介具有审美的泛化和文学艺术、科学文化知识普及化的作用,接受美学的原理不仅对应于狭义的文学艺术,更对应于作为信息载体和符号编码的所有“文本”;同时,霍尔对传播中“误解”的研究,有利于接受美学克服其脱离历史文化和当代生活的局限。
This thesis is a study of Hall's Medel in communication studies and the Studying aesthetics. By analysing the centralism of senders and the mistakes of classical communication research which depends on the linear model of commu- nication too much, the author approves Hall's Model. And he argues that the Studying aesthetics not only holds the truth of the fine art, but also of all of the cotext as information carrier and encoded symbols, On the other hand, Hall's research about misunderstanding is ed for the Studying aesthetics which should overcome its limits.
出处
《西南民族学院学报(哲学社会科学版)》
北大核心
2001年第6期193-198,共6页
Journal of Southwest University for Nationalities(Philosophy and Social Sciences)