摘要
在对待“历史的真实”与“艺术的真实”的矛盾时 ,二月河“帝王系列”主要以“历史的真实”为基础 ,并充分发挥自己的艺术建构力和想像力 ,使作品在整体上达到“艺术的真实”。在审美特征上 ,二月河“帝王系列”呈现出大雅若俗。
When handling the contradictions between “historical reality” and “aesthetic reality”, February River uses historical reality as the foundation of his series of emperors, giving play to his artistic construction and imagination, thus, making his works arrive at artistic reality on the whole. In respect to the aesthetic characteristics, the series of emperors present the features of suiting both refined and popular tastes.
出处
《河南大学学报（社会科学版）》
2001年第3期82-86,共5页
Journal of Henan University(Social Sciences）
