摘要
建安诗歌的景物描写 ,在一定程度上还囿于传统的山水审美观念 ,还建立在“比德”的审美观念之上 ,但有些作品已经开始了由“比德”向“畅情”的转化 ,更可注意者 。
The scenery description of Jian An's poetry, to some extent, was still restricted on the traditional aesthetic ideas of mountains and waters, and it was based on the aesthetic idea of Bide, that is,but the transition from such use of the scenery description to the scenery description as a means of fully expressing the poets' feelings and emotions could also be seen in some poetic pieces, and there was really something worthy of noticing: in some pieces, the description of mountains and waters gradually showed and achieved the independent aesthetic meaning.
出处
《辽宁师范大学学报（社会科学版）》
2001年第4期83-85,共3页
Journal of Liaoning Normal University(Social Science Edition)
关键词
景物描写
艺术倾向
"比德"
"畅情"
独立审美意义
建安诗歌
文学研究
审美观念
scenery description
artistic tendency
scenery description as a metaphor of expressing the poet's virtues
scenery description as a means of fully expressing the poet's feelings and emotions
independent aesthetic meaning
