摘要
中国建筑学界长期以来对于布扎的误判与偏见限制了对布扎现代性的讨论。为寻找布扎与现代建筑认知长期分离的原因,文章首先通过观察中西语境转译过程中布扎内涵损失的现象,批判地分析中国建筑学界将布扎定义为纯粹美术教育的思想根源,继而立足效率与实用,还原布扎体系的原意,在分析其发展历程中的理性思想基础上,揭示布扎体系与现代建筑的关联性,从而提供一个探讨布扎现代性的立场。
Beaux-Arts has been isolated from Chinese architectural discussion of Modernity due to misunderstanding and bias.This paper criticizes the opinion that architectural ecucation of the Ecole des Beaux-Arts centered on pure fine arts by analyzing the loss of meaning through the Chinese-English translation of a Beaux Arts publication in the early 20th century. Based on the efficiency and practicality of the educational system,the paper tries to reveal its rational essence so asto establish a dialogue between Beaux-Arts and Modern Architecture and to offer a perspective towards the modernity of Beaux-Arts.
作者
汪妍泽
单踊
WANG Yanze;SHAN Yong
出处
《时代建筑》
2018年第6期24-30,共7页
Time + Architecture
关键词
布扎
图案
构图
理性
现代
Beaux Arts
Design
Composition
Rationality
Modernity
